Pater Gratia Oriental Art

Chinese Porcelain

 

Famille Rose wares 1725-1800

 

Page 1

There was great demand for Chinese porcelain in Europe at the end of the 17th century. This led to the production of a variety of shapes and decorations while the competition between private merchants also contributed to a very varied supply. Besides porcelain decorated in underglaze blue, famille verte and Chinese Imari, many other types emerged, decorated with overglaze enamels that were sometimes combined with underglaze blue. The most important development, however, was the use of a pink-red enamel around 1725. Porcelain decorated with this enamel is called famille rose. Within a very short time this type supplanted famille verte and became the popular choice for all kinds of export porcelain. Mixing the rose with white enamel created shades of colour that suggested depth and volume. Famille rose knows a great variety in quality and decorations. The name was invented in the 19th century; before that it was simply called 'enamelled'. Rose enamel was first developed in the Imperial workshops in Beijing and applied on enamelled copper and bronze objects. Western chemical knowledge introduced by the Jesuits at the court around 1700 probably played a role. Since c.1725 it also was used on porcelain in Jingdezhen. Initially, the colour had a lilac shade but became a proper pink after c.1730. It was applied rather thickly and, unlike the very thin iron-red, can easily be felt on top of the glaze. Rose was applied on all types of export porcelain and there are countless combinations with other enamels.

2010C243
2010C243

Famille Rose wares 1725-1800 - Page 1

 

Object 2010C243

 

Dish

 

China

 

1730-1745

 

Height 48 mm (1.89 inch), diameter of rim 352 mm (13.86 inch), diameter of footring 196 m (7.72 inch), weight 1,192 grams (42.05 ounce (oz.))

  

Dish on footring, wide flat rim. Decorated in various famille rose enamels and gold with flowering peonies, begonias, chrysanthemums and other flowers in a complex cartouche. On the sides and rim flowering peony and chrysanthemum sprays on a whorl-pattern ground flanked by flower heads alternating with cartouches filled with a tied flower head with swirling ribbons and a pearl ribboned pendant with Chinese stone chimes and a ruyi with three ribboned pearl pendants. On the reverse two large peony flower sprays in iron-red. On the base a rectangular paper label which reads: '4000'.

 

The begonia comes in a variety of flower colours. In Chinese older times, it represents happiness and beauty, due to its blooming and attractive flowers. It has been mentioned in poems and literatures where it often is related to pretty ladies. In the Chinese art and craft world, the word ‘begonia shape’ is used to descript a certain shape or form similar to the begonia flower head. (I am indebted to Mr. S. Fan, Doncaster for this information)

 

It has been suggested that the objects the just above the ruyi are tied Chinese stone chimes moved by the wind, which is also indicated by the swirling green ribbons. (I am indebted to Mr. D. Ballanger, France for this information)

2010C243 Chinese stone chimes

 

chimes                                        

 

Chinese stone chimes (source: www.chinesecio.com

 

Little dates this dish at about 1740, as Meissen copies from this date are known. (Lion-Goldschmidt 1957)

 

In the late 17th / early 18th century porcelain with enamelled decoration became very successful. This continued throughout the 18th century and an even greater assortment of shapes, colours and techniques developed. The rose/pink colour was an important addition to the palette. In 1862 Jacquemart and le Blant categorized the various enamel decorating colours, wares with this pink enamel in the decoration were named famille rose. The knowledge of how to make the colour reached Jingdezhen in the early 1720s and porcelain with an opaque pink enamal was made from c.1725 onwards. Early examples have a rather dull, mauve tint but soon the colour became more vibrant and semi opaque, although it did not achieve the transparency of the verte enamels. By mixing the pink with the recently developed lead/arsenic white enamel different grades of opaqueness could be obtained as well as various intensities of pink. The new colour soon became immensely popular and was combined with other enamels such as green, iron-red, overglaze blue, turquoise, brown and black, while gilding was applied to enhance details. After c.1730 famille rose rapidly succeeded famille verte as the main style of enamelling for the Western export markets. About half of the regular export assortment of the VOC and other companies consisted of 'enamelled' wares, as polychrome porcelain was generally called then, with the pink enamel dominant in a palette. These more ordinary wares were less refined and not so well painted but they nevertheless sold very well in Europe. Generally speaking, enamelled decorations on export porcelain of the second half of the 18th century tend to become somewhat stiff and uninspired, repeating the well-known motifs without much variation in rather dense compositions. However, in the late 18th and early 19th centuries a revival began, probably due to the interest of the Americans as new buyers. (Jörg & Van Campen 1997)

 

For identically decorated dishes, please see:

Condition: A firing flaw in the centre.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Lion-Goldschmidt 1957, pl. 27, A

Little 1992, cat. 30

Huitfeldt 1993, p.114

Jörg & Van Campen 1997, pp.205-207

Jörg 2003/2, p.25, cat. 8

chinesecio.com

 

Price: € 1.299 - $ 1.447 - £ 1,173

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2010767
2010767

Famille Rose wares 1725-1800 - Page 1

 

Object 2010767

 

Coffee cup

China

1730-1740

 

Height 62 mm (2.44 inch), diameter of mouthrim 59 mm (2.32 inch), diameter of footring 28 mm (1.10 inch), weight 73 grams (2.58 ounce (oz.))

 

Coffee cup with handle on footring. Decorated in various famille rose enamels with ducks, pheasants and a flowering peony growing near a fence behind pierced taihu (garden) rockwork. On the handle a floret between scrolls.

 

The pheasant on a rock is a very popular motif on export porcelain and frequently appears on enamelled and underglaze blue Kangxi wares. According to Williams, in the Chinese bureaucratic hierarchy officials of the second grade had a gold pheasant embroidered on their court robes, those of the fifth grade a silver pheasant. The bird was represented as standing on a rock, looking towards the sun, the imperial symbol of authority. The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Williams 1976, pp.322-323), (Jörg & Van Campen 1997, p.157), (Jörg 2003/2, p.25)

 
Condition: Some tiny firing flaws.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Williams 1976, pp.322-323

Jörg 1982, fig. 46

Jörg 1986/1, fig. 56

Jörg & Van Campen 1997, p.157

Jörg 2003/2, cat. 8

 

Price: € 199 - $ 221 - £ 179

(the $ and £ prices are approximates and depend on their exchange rate to the € price)

 

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2011720
2011720

Famille Rose wares 1725-1800 - Page 1

 

Object 2011720

 

Dish

 

China

 

c.1735-1745

 

Height 43 mm (1.69 inch), diameter of rim 353 mm (13.90 inch), diameter of footring 194 mm (7.64 inch), weight 958 grams (33.78 ounce (oz.))

 

Dish on footring, wide flat, underglaze brown-edged, rim (jia mangkou). Decorated in 'Red & Gold' / 'Rouge-de-fer' with iron-red and gold combined with various famille rose overglaze enamels. The centre with a reserved medallion formed by linked ruyi, painted in black enamel with flowering peony and chrysanthemum plants, a vase filled with flowering hibiscus branches and a riverscape within an unfurled scroll with ribbons. On the rim half flowerheads with a leafy flowering stem reserved on a cell-pattern ground alternating with half flowerheads with leafy scrolls. The reverse is undecorated.

   

This combined decoration of late 'Red & Gold' / 'Rouge-de-fer' with polychrome enamels is uncommon and rare, especially on dishes of this size. 

 

For another dish decorated in 'Red & Gold' / 'Rouge-de-fer' combined with polychrome famille rose overglaze enamels, please see:

Condition: Some loss of enamel and some slight wear to the iron-red decoration. A star-shaped hairline to the base.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Jörg 2003/2, cat. 8

Litzenburg 2003, cat. 51

Sargent 2012, p.183

 

Price: € 799 - $ 890 - £ 721

(the $ and £ prices are approximates and depend on the € price exchange rate) 

 

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2011954
2011954

Famille Rose wares 1725-1800 - Page 1

 

Object 2011954

 

Teacup and saucer

 

China

 

1730-1750

 

Height of teacup 35 mm (1.38 inch), diameter of rim 64 mm (2.52 inch), diameter of footring 27 mm (1.06 inch), weight 23 grams (0.81 ounce (oz.))

Height of saucer 18 mm (0.71 inch), diameter of rim 108 mm (4.25 inch), diameter of footring 63 mm (2.48 inch), weight 38 grams (1.34 ounce (oz.))

 

Teacup and saucer on footrings, slightly everted rims. Decorated in enamel colours with a central roundel filled with a flower spray surrounded by three medallions filled with flowering plants all on an iron-red-brown ground. Round the rim a scroll pattern border. The reverse is undecorated. The teacup is decorated en suite.

 

To the Chinese the imitation of one material by another was an artistic challenge. Hence we see objects made of porcelain having the appearance of bronze, bamboo, marble or soapstone (see object 2011827), jade, coral, lacquer and, as in this case, wood. This wood grain decoration is named faux bois and must have appealed to the Western Rococo taste with its similar love of illusion. (Jörg & Van Campen 1997, pp.215-215, cat. 239)

 

For similarly with 'wood grain' decorated objects, please see:

Condition teacup: Some tiny fleabites and a frit with a connected hairline to the rim.

Condition saucer: A frit with a connected hairline to the rim.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Harrisson 1985, cat. 113 

Jörg & Van Campen 1997, cat. 239

 

Price: € 399 - $ 444 - £ 360

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2011824
2011824

Famille Rose wares 1725-1800 - Page 1

 

Object 2011824

 

Dish

 

China

 

1740-1760

 

Height 30 mm (1.18 inch), diameter of rim 226 mm (8.90 inch), diameter of footring 120 mm (4.72 inch), weight 345 grams (12.17 ounce (oz.))

 

Dish on footring, flat, underglaze brown-edged, rim (jia mangkou). Decorated in various famille rose enamels including pink, some black, overglaze blue, green, yellow and coral red with two figures in a partial opened roll surrounded by various flower sprays. On the rim and sides ruyi heads tied with swirling ribbons to large pomegranates in between geometrical patterns on a frogspawn ground alternating with panels filled with flowerheads on a pink ground and a yellow ruyi heads with a tassel. The reverse is undecorated. On the base a rectangular paper collectors label with the number '179' and a rectangular paper label that reads: 'Epoque Kien-Long. Oojrofe, Paris 3.500 frs Décor au rouleau'..

 

Condition: Some shallow wear to the enamel.

 

Reference:

Jacquemart & Le Blant 1862, pp. 77-105

 

Price: € 399 - $ 424 - £ 345

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2011026
2011026

Famille Rose wares 1725-1800 - Page 1

 

Object 2011026

 

Teacup and saucer

 

China

 

1730-1740

 

Height of teacup 36 mm (1.42 inch), diameter of rim 65 mm (2.56 inch), diameter of footring 30 mm (1.18 inch), weight 30 grams (1.06 ounce (oz.))

Height of saucer 19 mm (0.75 inch), diameter of rim 105 mm (4.13 inch), diameter of footring 61 mm (2.40 inch), weight 51 grams (1.80 ounce (oz.))

 

Teacup and saucer on footrings with spreading sides and rims, Decorated in various overglaze, famille rose, enamels. Decorated with a roundel filled with a pheasant perched on a pierced taihu (garden) rockwork with flowering lotus, peony and chrysanthemum plants. On the sides three scalloped cartouches filled with a flowering plants reserved on a cell-pattern ground enriched with flower heads. Round the rim a trellis-pattern border. The reverse is undecorated. The teacup is decorated en suite.

 

The pheasant on a taihu (garden) rock is a very popular motif on export porcelain and frequently appears on enamelled and underglaze blue Kangxi wares. According to Williams, in the Chinese bureaucratic hierarchy officials of the second grade had a gold pheasant embroidered on their court robes, those of the fifth grade a silver pheasant. The bird was represented as standing on a rock, looking towards the sun, the imperial symbol of authority. The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Williams 1976, pp.322-323), (Jörg & Van Campen 1997, p.157), (Jörg 2003/2, p.25)

 

Condition teacup: Two frits and two fleabites one with a connected tiny short hairline.

Condition saucer: A firing flaw and a frit to the rim.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Williams 1976, pp.322-323

Jörg & Van Campen 1997, cat. 171

Jörg 2003/2, cat. 8

 

Price: € 299 - $ 333 - £ 270

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2010675
2010675

Famille Rose wares 1725-1800 - Page 1

 

Object 2010675

 

Tea caddy

 

China

  

1730-1740

 

Height including cover 130 mm (5.12 inch), height excluding cover 106 mm (4.17 inch), diameter 73 mm (2.87 inch), diameter mouthrim 29 mm (1.14 inch), diameter of footring 45 mm (1.77 inch), weight with cover 193 grams (6.81 ounce (oz.)), weight cover 32 grams (1.13 ounce (oz.))

 

Tea caddy of ovoid form on footring, domed cover with a pointed knob. Applied scroll work at the spreading foot. Decorated in various famille rose enamels with iron-red. On the waist a trellis-pattern border and around the neck pomegranates, flowerings branches and leaves. On the cover a flowering chrysanthemum spray.

 

The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Jörg 2003/2, p.25)

Dimensions:

 

Condition: A tiny glaze frit and three very tiny 1 mm (0.039 inch) spots on the rim of the cover caused by a popping bubble of glaze during the firing process.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Jörg 2003/2, cat. 8

 

Price: € 399 - $ 444 - £ 360

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2011096
2011096

Famille Rose wares 1725-1800 - Page 1

 

Object 2011096

 

Saucer

 

China

 

1730-1740

 

Height 19 mm (0.75 inch), diameter of rim 115 mm (4.53 inch), diameter of footring 66 mm (2.60 inch), weight 53 grams (1.87 ounce (oz.))

 

Saucer on footring, slightly everted rim. Decorated in various famille rose enamels, iron-red and black with a lady and a little boy in a garden landscape with flowering plants, taihu (garden) rocks and a bird inside a bird cage hanging from a branch of a flowering peony. The lady presents a cup, most likely containing food for the bird, to the little boy. The reverse is undecorated.

 

The bird cage with a bird was a well-known symbol of chastity and virginity in European art. In the Netherlands, these slender women engaged in some form of activity in a landscape or on a veranda, were called 'lange lijzen', translated in English as Long Eliza's. The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics.  (Jörg 2003/2, p.25 & p.96),  (Jörg 1989/2, pp.198-199)

 

Condition: A tiny hairline and a frit to the rim.

 

References:

Jacquemart & Le Blant 1862, pp.77-105

Jörg 1989/2, cat. 75

Jörg 2002/2, cat. 61

Jörg 2003/2, cat. 8

 

Price: € 199 - $ 221 - £ 179

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2010C231
2010C231

Famille Rose wares 1725-1800 - Page 1

 

Object 2010C231

 

Saucer

 

China

 

1730-1740

 

Height 19 mm (0.74 inch), diameter of rim 103 mm (4.05 inch), diameter of footring 61 mm (2.40 inch), weight 39 grams (1.38 ounce (oz.))

 

Saucer on footring, slightly everted rim. Decorated in various famille rose enamels with in the centre and the foreground three spotted deer: one pink, one yellow, one white. They are prancing around  in a Chinese landscape with many funghi growing on rocks. The white spotted deer is carrying a lingzhi in his mouth. In the background a mountainous landscape. The reverse is undecorated.

 

Between 1720 and 1730 the Chinese porcelain producers developed a new enamel colour, pink. It derived from colloidal gold. The technique was first used in China in the Imperial workshops in Beijing, for coloured glass and enamels on metal. It became very successful instantly and soon replaced famille verte. The term famille rose was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Jörg & Van Campen 1997)

 

The spotted deer design symbolises best wishes for a career as an official and good fortune and prosperity. This is because the Chinese word for deer, lu, has the same sound as the word for the high salary of a Chinese official. Another reason for the association with Chinese scholar-bureaucrats or literati is that one of the concluding rituals of the provincial examinations that had to be passed if one was to become an official in the Chinese civil service was a party known as the Banquet of Auspicious Omens, ore more literally the Deer-cry Banquet.

 

More frequently however, in Daoist mythology the spotted deer are considered auspicious animals connected to immortality. This is because they were believed to attain great age. Furthermore, they were the only animals able to locate and eat the special fungus of longevity, lingzhi. These special mushrooms were found on the paradise islands of Penglai. In Chinese mythology the Penglai mountain is often called the base of the Eight Immortals, or at least where they travelled to have a banquet. In Chinese art the spotted deer usually accompanies Shoulao or Magu, the God and Goddess of Longevity. Because of all this, even today the horns of deer have an important place in Chinese medicine and can be found in every Chinese apothecary shop. The soft internal part of the horns is dried, pulverised, and made up into pills. The inferior parts are boiled up into jelly or tincture. 

 

The importance of spotted deer in Chinese culture today was also reflected in a gift by Taiwan to the Chinese mainland in 2011 of two rare sika or spotted deer for the Liugongdao National Forest Park in east China's Shandong Province. (GOV.cn Chinese Government's Official Web Portal). The sika deer is one of the very few deer species that does not lose its spots upon reaching maturity. Spot patterns vary with the region. The color of the pelage ranges from mahogany to black, and white individuals are also known.(source: wikipedia.org)

 

According to Bjaaland Welch, in Chinese legends the different colours of the deer signified the age: a 1000-year-old deer was depicted with grey fur, a white one, as can be seen on this saucer, stood for an impressive age of 5000 years.

 

Condition: A frit with a connected hairline to the rim and a restored hole in the centre.

 

References:

Jacquemart & Le Blant 1862, pp.77-105

Williams 1967, pp.115-116

Jörg & van Campen 1997, pp.205-207

Jörg  2003/2, cat. 8

Bartholomew 2006, p.102/164, also cat.5.7, 6.7, 6.7.5,7.16

Bjaaland Welch 2008, pp.116-118

Ströber 2011, pp.160-162

 

Price: € 149 - $ 183 - £ 132

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2010731
2010731

Famille Rose wares 1725-1800 - Page 1

 

Object 2010731

 

Large dish

China

1740-1760

 

Height 32 mm (1.26 inch), diameter of rim 315 mm (12.40 inch), diameter of footring: 190 mm (7.48 inch), weight 791 grams (27.90 ounce (oz.))

 

Large dish on footring, flat rim with a scalloped edge. Decorated in various famille rose enamels, iron-red and gold with scattered 'German flowers'. Around the rim a spearhead pattern border. The reverse is undecorated.

 

This decoration was closely copied by the Chinese porcelain painter from a Meissen or other factory example.

 

The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Jörg 2003/2, p.25),

 

For similarly decorated objects, please see;

Condition: Some glaze rough spots to the rim and a chip to the base.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Jörg 1989/2, cat. 93

Jörg 2003/2, cat. 8

Litzenburg 2003, cat. 54

Suchomel 2015, cat. 270

 

Price: € 399 - $ 490 - £ 354

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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2011825
2011825

Famille Rose wares 1725-1800 - Page 1

 

Object 2011825

 

Dish

China

1740-60

 

Height 34 mm (1.34 inch), diameter of rim 181 mm (7.13 inch), diameter of footring: 107 mm (4.21 inch), weight 235 grams (8.29 ounce (oz.))

 

Dish on footring, straight rim with a scalloped edge. Decorated in various famille rose enamels, iron-red and gold with scattered 'German flowers'. Around the rim a spearhead-pattern border. The reverse is undecorated.

 

This decoration was closely copied by the Chinese porcelain painter from a Meissen or other factory example. The term 'famille rose' was first coined by the 19th-century French author Albert Jacquemart, who distinguished between specific groups in his descriptions of Oriental ceramics. (Jörg 2003/2, p.25).

 

For similarly decorated objects, please see;

Condition: A hairline and some glaze rough spots to the rim.

 

References:

Jacquemart & Le Blant 1862, pp. 77-105

Jörg 1989/2, cat. 93

Jörg 2003/2, cat. 8

Litzenburg 2003, cat. 54

Suchomel 2015, cat. 270

 

Price: € 199 - $ 221 - £ 179

(the $ and £ prices are approximates and depend on the € price exchange rate)

 

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