Pater Gratia Oriental Art

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Sold Japanese Blue and White wares 17th Century

 

Tableware and other Porcelain with Western Shapes

 

Page 2

Japon de commande

 

In Japan porcelain was also manufactured to order, both for private parties as well as, in a few cases, for the Dutch East India Company, (Vereenigde Oost-Indische Compagnie, VOC). The private buyers were in fact solely Dutch East India Company employees of Deshima, The Dutch trading post in Nagasaki in Souhern Japan. As only European company, The Dutch East India Company was given the monopoly to trade in Japan. Japon de commande was therefore much more exclusive than Chine de commande.

 

Striking are the blue dishes featuring the Dutch East India Company monogram on them. There is hardly any record of these specific pieces to be found in the Dutch East India Company achieves, but they were apparently often manufactured to order as the Company's 'official' tableware, which was used aboard the ships, in the trading posts all over Asia and even at the dinner table of the Governor-General of the Dutch East Indies in Batavia. Oddly enough it was never actually made in China itself, nor painted in enamel colours. Other motifs are family coats of arms, depictions of Dutch landscapes as well as of Dutch people and their ships. Also, quite striking are the bulbous flasks initialled with either their alcoholic or medicinal contents or with their owner's name. (Source: Groninger Museum)

2012515
2012515

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2012515

 

Cuspidor / Spittoon

 

Japan

 

1670-1690

 

Height 191 mm (7.52 inch), diameter of rim 194 mm (7.64 inch), diameter of footring 75 mm (2.95 inch), weight 1,130 grams (39.89 ounce (oz.))

 

Published: Handel in Batavia - Teekultur aus fernen Lande / Trade in Batavia - Tea culture from a Faraway Land, exhibition catalogue Ostfriesisches Teemuseum Norden. (D. Suebsman, Norden 2023), pp.48-49, cat. 6.

 

Exhibited: Handel in Batavia - Teekultur aus fernen Lande / Trade in Batavia - Tea culture from a Faraway Land held from 13 May 2023 to 31 October 2023 at the Ostfriesisches Teemuseum Norden Germany.

 

Cuspidor or spittoon on footring. Compressed globular body, the upper part with straight, spreading sides and an everted rim. Decorated in underglaze blue with fruiting pomegranates and other flowering plants and grasses alternating with flowering peony and grasses. On the inside a widespread fruiting pomegranate spray alternating with a widespread flowering peony spay.

 

Cuspidors were indispensable in the interior especially in the East Indies where both tobacco and betel nuts were chewed. Volker mentions Japanese porcelain and copper cuspidors in the lodges of the merchants on Deshima for 1701 and 1702. Excavations at the Deshima site yielded sherds of several examples, also proving their use there. Dutch metal or earthenware cuspidors will have served as models, although the same shape has been known in Chinese ceramics since the Tang period, serving as a vase for a lotus flower. Interestingly, the VOC documents make no mention of Company shipments or orders for cuspidors, and they must therefore have been shipped privately. Cuspidors / spittoons were made in a number of Arita kilns, such as Chokichidani, Tani and Shimoshirakawa. (Volker 1959, pp.28-29), (Jörg 2003/1, p,166)

 

Menkemaborg 1

 

Menkemaborg 2

(picture courtesy: Otto Kalkhoven, Eppenhuizen; Han Gerretsen, Roden; Ida Stamhuis (Menkemaborg) website Menkema Borg, Herenkamer Uithuizen, The Netherlands, for this cuspidor/spittoon please see: Fine & Curious. Japanese Export Porcelain in Dutch Collections, (C.J.A. Jörg, Hotei Publishing, Amsterdam, 2003), p.166, cat. 192.) 

 

For similar cuspidors or spittoons, please see;

Spittoons were made in a number of Arita kilns, such as Chokichidani, Tani and Shimoshirakawa. (Jörg 2003/1, p,166)

 

For an example of a sherd of a cuspidor / spittoon excavated at the Tani kiln site in Arita, please see:

Condition: Some popped bubbles of glaze, caused during the firing process and some firing flaws all to the rim.

 

References:

Volker 1959, pp.28-29

Lunsingh Scheurleer 1971, cat. 185

Daendels 1981, cat. 122 & 123

Kyushu 1990/1, Fig.19

London 1997, cat. 32

Arita 2000, p.87, cat. 163

Jörg 2003/1, cat. 195

Suebsman 2023, cat. 6

Menkema Borg Uithuizen

 

Price: Sold.

 

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2012490 & 2012492
2012490 & 2012492

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2012490 & 2012492

 

Bowl, cover and underdish

 

Japan

 

c.1690

 

Dish: height 42 mm (1.65 inch), diameter of rim 220 mm (8.66 inch), diameter of footring 114 mm (4.41 inch), weight 567 grams (20.00 ounce (oz.))

Bowl (without cover): height 69 mm (2.72 inch), diameter of rim 149 mm (5.87 inch), diameter of footring 70 mm (2.76 inch), weight 303 grams (10.69 ounce (oz.))

Cover: height 38 mm (1.50 inch), diameter of rim 124 mm (4.88 inch), diameter of ring 50 mm (1.97 inch), weight 121 grams (4.27 ounce (oz.))

 

Octagonal bowl on footring, steep sides, slightly everted straight rim. Octagonal dish on footring, flat rim with slightly upturned edge. A single spur-mark on the base, the cover with ring and straight rim. Decorated in underglaze blue with a bird perched upon a rock flanked by flowering plants. On the sides groups of flowering chrysanthemums, peonies and cherry blossom growing from rockwork. On the reverse three sprays of prunus blossom. The inside of the ring of the cover and the rims of the bowl and dish with traces of gilding.

 

Davies states that it is most unusual to find a complete set of bowl, cover and underdish. (London 1997, p.70)

 

For an identically shaped, sized and decorated bowl, cover and underdish, formerly in the collection of Oliver Impey, please see:

Hartog states that the that the decoration of the goldpaint may have been applied in the Netherlands. The cover has a standring. When the cover was put upside down, food from the bowl could be put on it served as an eating-dish. (Hartog 1990, p.152)

 

For identically shaped, sized and decorated bowls with covers, please see:

Conditions:

Bowl: Perfect.

Cover: Perfect.

Dish: Perfect.

 

References:

Volker 1959, Pl. XVII, No.9 

Lunsingh Scheurleer 1971, cat. 193

Hartog 1990, p.152 & cat. 154

London 1997, cat. 27

 

Price: Sold.

 

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2011466
2011466

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2011466

 

Ewer

 

Japan

 

1660-1680

 

Height 206 mm (8.11 inch), diameter 97 mm (3.82 inch), diameter of mouthrim 39 mm (1.54 inch), diameter of footring 61 mm (2.40 inch), weight 513 grams (18.10 ounce (oz.))

 

Ewer of ovoid body on a spreading takefushi or 'bamboo-noded' foot. Narrow waisted neck and large cup-shaped mouth with pinched spout. Curved pierced handle. Decorated in underglaze blue in Chinese Transitional style with a sketchy mountainous landscape with swirling clouds, banana trees and other vegetation. Round the foot, shoulder, neck and on the handle bands with a classic scroll, zig-zag and foliate patterns. 

 

The Chinese Transitional style was virtually unknown in Japan until it was introduced by the Dutch. Japanese potters were not asked to imitate original Chinese porcelains by the Dutch; instead they were given wooden models which had probably been painted by Delft pottery decorators (though this is undocumented) or earthenware (presumably Delft). It is hardly surprising therefore, that the resultant Japanese essays in Transitional style are far from the original both in design and execution. Many shapes are Chinese, and some are Near Eastern, but others reflect Delft wares or at least Delft variations on a Chinese theme. Most Japanese Transitional style wares are in closed shapes, mugs, jugs, jars and ewers; most kraak style pieces are in open shapes, plates and bowls. The piercing on the handles of this and similar shapes is original, and was intended for the silver or other metal mount that would customarily have been added in Europe. (Impey 2002, pp.42-49 & p.49)

 

The shape of this ewer derived from a German stoneware model. For similarly shaped ewers decorated with Dutch armorials, please see:

The shape of the bulging foot, which spreads and then turns sharply inward, is seen on many ewers of this period as well as on later jars, vases and other pieces. It is a distinctively Japanese feature, called takefushi, 'bamboo-noded' foot. (Jörg 2003/1, p.74) 

 

The flower motif on the cup-shaped mouth replaces similarly located 'tulip' designs on Chinese Transitional export porcelain. (Jörg 2003/1, p.160) 

 

For similarly shaped ewers, please see:

Condition: A frit to the handle.

 

References: 

Lunsingh Scheurleer 1971, cat. 88 & cat. 89

Lunsingh Scheurleer 1980, cat. 399 & cat. 400a

London 1997, cat. 16

Impey 2002, pp.42-49 & p.49

Jörg 2003/1, p.74 & cat. 177 & cat. 292

 

Price: Sold.

 

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2011142
2011142

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2011142

 

Ewer

 

Japan

 

1660-1680

 

Height 199 mm (7.83 inch), diameter 110 mm (4.33 inch), diameter of mouthrim 28 mm (1.10 inch), diameter of footring 68 mm (2.68 inch), weight 638 grams (22.51 ounce (oz.))

 

Ewer of ovoid body on spreading takefushi or 'bamboo-noded' foot, cylindrical neck and pierced loop-handle. Decorated in underglaze blue. On the neck two flowers who bear the well-known tulip-design, a stylised, symmetrical flower. The central section is decorated in a, sketchily drawn, Chinese Transitional style of two figures in a landscape with rocks, clouds, pine and banana trees and other vegetation. Round the foot, on the shoulder and the handle bands with a formal foliate pattern. 

 

Jörg notes that these foliate bands betray a Dutch Delftware influence.

 

The Chinese Transitional style was virtually unknown in Japan until it was introduced by the Dutch. Japanese potters were not asked to imitate original Chinese porcelains by the Dutch; instead they were given wooden models which had probably been painted by Delft pottery decorators (though this is undocumented) or earthenware (presumably Delft). It is hardly surprising therefore, that the resultant Japanese essays in Transitional style are far from the original both in design and execution. Many shapes are Chinese, and some are Near Eastern, but others reflect Delft wares or at least Delft variations on a Chinese theme. Most Japanese Transitional style wares are in closed shapes, mugs, jugs, jars and ewers; most Kraak style pieces are in open shapes, plates and bowls. The piercing on the handles of this and similar shapes is original, and was intended for the silver or other metal mount that would customarily have been added in Europe. (Impey 2002, pp.42-49 & p.49)

 

The shape of the bulging foot, which spreads and then turns sharply inward, is seen on many ewers of this period as well as on later jars, vases and other pieces. It is a distinctively Japanese feature, called takefushi, 'bamboo-noded' foot. (Jörg 2003/1, p.74)

 

For similarly shaped and decorated ewers, please see:

Condition: Crazing to the glaze around the lower section of the ewer.

 

References:

Lunsingh Scheurleer 1971, cat. 83

Lunsingh Scheurleer 1980, cat. 406

Arts 1983, Plate 50

Impey 2002, cat. 24

Jörg 2003/1, p.74 & cat. 178

 

Price: Sold.

 

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2012160
2012160

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2012160

 

Ewer

 

Japan

 

1655-1670

 

Height (including silver mount) 223 mm (8.78 inch), diameter 110 mm (4.33 inch), diameter of mouthrim 38 mm (1.50 inch), diameter of footring 61 mm (2.40 inch), weight (including silver mount) 652 grams (23.00 ounce (oz.))

 

Ewer of ovoid body on a spreading takefushi or 'bamboo-noded' foot. Narrow waisted neck and large cup-shaped mouth with pinched spout. Curved pierced handle. Engraved Dutch silver mounts (unmarked). Decorated in underglaze blue with a duck on a rock in a march landscape and a butterfly in flight, flanked by flowring plants with birds perched on branches. Round the foot and on the shoulder a pointed lotus leaves pattern border. On the foot and neck blue bands and on the shoulder a formal foliate pattern border, On the neck two stylised symmetrical flowers. The handle with a foliate pattern scroll. 

 

The Chinese Transitional style was virtually unknown in Japan until it was introduced by the Dutch. Japanese potters were not asked to imitate original Chinese porcelains by the Dutch; instead they were given wooden models which had probably been painted by Delft pottery decorators (though this is undocumented) or earthenware (presumably Delft). It is hardly surprising therefore, that the resultant Japanese essays in Transitional style are far from the original both in design and execution. Many shapes are Chinese, and some are Near Eastern, but others reflect Delft wares or at least Delft variations on a Chinese theme. Most Japanese Transitional style wares are in closed shapes, mugs, jugs, jars and ewers; most kraak style pieces are in open shapes, plates and bowls. The piercing on the handles of this and similar shapes is original and was intended for the silver or other metal mount that would customarily have been added in Europe. (Impey 2002, pp.42-49 & p.49)

 

The shape of this ewer derived from a German stoneware model. For similarly shaped ewers decorated with Dutch armorials, please see:

The shape of the bulging foot, which spreads and then turns sharply inward, is seen on many ewers of this period as well as on later jars, vases and other pieces. It is a distinctively Japanese feature, called takefushi, 'bamboo-noded' foot. (Jörg 2003/1, p.74) 

 

The flower motif on the cup-shaped mouth replaces similarly located 'tulip' designs on Chinese Transitional export porcelain. (Jörg 2003/1, p.160) 

 

For an identically shaped, sized and decorated ewer, please see:

 

fullsizeoutput_51bfullsizeoutput_51c

 

An identically shaped, sized and decorated ewer from an English private collection, (this eweri is not included in this sale /offer).

 

For similarly shaped ewers, please see:

Condition: A firing flaw to the base, firing tension hairlines to the foot and handle, a circular hairline to the body.

 

References: 

Lunsingh Scheurleer 1971, cat. 88 & cat. 89

Lunsingh Scheurleer 1980, cat. 399 & cat. 400a

London 1997, cat. 16

Impey 2002, pp.42-49 & p.49

Jörg 2003/1, p.74 & cat. 177 & cat. 292

Kyushu 1997, cat. 37

Kyushu 2003, cat. 1142

 

Price: Sold.

 

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2012100
2012100

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2012100

 

Chamber-pot

 

Japan

 

1700-1720

 

Height with cover 167 mm (6.57 inch), height without cover 99 mm (3.90 inch), diameter of mouthrim 216 mm (8.50 inch), diameter of footring 75 mm (2.95 inch), weight with cover 1,382 grams (48.75 ounce (oz.)), weight cover 571 grams (20.14 ounce (oz.))

 

Chamber-pot on footring with spreading upturned rim, two C-shaped curved handles with thumb-rests. Domed recessed cover with flattened knob. Decorated in underglaze blue with peonies sprays and foliage. On the rim a foliate scroll. On the handles a formal foliate pattern. The inside with an unglazed (biscuit) band fitting the original cover, the cover is decorated en suite. 

 

Besides dinner services, covered jars, tea, coffee and chocolate sets also other utilitarian or luxury items were ordered after a Western model. These included cylindrical beer mugs, barbers' bowls, cuspidors and chamber pots therefore these objects can be considered Japon de commande. 

 

The biscuit band fits the cover. Similar examples are known without such a band. Sherds of chamber-pots of this type were not only found in abundance excavations at Deshima. testifying to their local use by the Dutch, but also in former Dutch East India Company, (Vereenigde Oost-Indische Compagnie, VOC) settlements on Java. There is even an example in the Topkapi Saray Museum, Istanbul. Another is in the Dresden Collection. They occur in different sizes, including very large; a variant has two handles. All are painted with similar large sprays, sometime rather coarsely. As a non-fashionable utility-ware they are difficult to date, and their production may have continued for a long time. Sherds have been found at the Shimoshirakawa and Sarugawa kilns, both of which continued production until the mid-18th century. They might have been made in other kilns as well continued until the mid-18th century. (Jörg 2003/1, p.164, cat. 188)

 

For similarly shaped and decorated chamber-pots, please see:

For sherds from the Pasar Ikan and The Banten Lama site of similarly shaped and in underglaze blue decorated chamber-pots, please see:

Condition: A hairline to the pot and a restored cover.

 

References:

Volker 1954, cat 37

Amsterdam 1972. cat. nr. 102

Daendels 1981, cat. 88

Kyushu 1990/1, cat. 261 tm 264 & cat 343 tm 345

Jörg 2003/1, p.164, cat. 188

  

Price: Sold.

 

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2012030
2012030

Sold Ceramics - Sold Japanese Blue and White wares 17th Century - Tableware and other Porcelain with Western Shapes - Page 2

 

Object 2012030

 

Cuspidor / Spittoon

 

Japan

 

c.1700

 

Height 90 mm (3.54 inch), diameter of rim 142 mm (5.59 inch), diameter of footring 64 mm (2.52 inch), weight 410 grams (14.46 ounce (oz.))

 

Cuspidor or spittoon on footring. Compressed globular body, the upper part with straight, spreading sides and an everted underglaze brown-edged rim. Decorated in underglaze blue with flowerheads and leafy scrolls. The outside of the upper part is undecorated on the inside three flowering peony sprays.

 

Cuspidors were indispensable in the interior especially in the East Indies where both tobacco and betel nuts were chewed. Volker mentions Japanese porcelain and copper cuspidors in the lodges of the merchants on Deshima for 1701 and 1702. Excavations at the Deshima site yielded sherds of several examples, also proving their use there. Dutch metal or earthenware cuspidors will have served as models, although the same shape has been known in Chinese ceramics since the Tang period, serving as a vase for a lotus flower. Interestingly, the VOC documents make no mention of Company shipments or orders for cuspidors, and they must therefore have been shipped privately. Cuspidors / spittoons were made in a number of Arita kilns, such as Chokichidani, Tani and Shimoshirakawa. (Volker 1959, pp.28-29), (Jörg 2003/1, p,166)

 

The doll’s house of Petronella Oortman (1656-1716), c.1686 - c.1710, Rijksmuseum, Amsterdam, the Netherlands, inv.nr. BK-NM-1010. Two spittoons are standing beside the table and chairs. (Picture courtesy : judithsgarden.eu)

 

For similar cuspidors or spittoons, please see;

Spittoons were made in a number of Arita kilns, such as Chokichidani, Tani and Shimoshirakawa. (Jörg 2003/1, p,166)

 

For an example of a sherd of a cuspidor / spittoon excavated at the Tani kiln site in Arita, please see:

Condition: A tiny firing flaw to the rim.

 

References:

Volker 1959, pp.28-29

Lunsingh Scheurleer 1971, cat. 185

Daendels 1981, cat. 122 & 123

Kyushu 1990/1, Fig.19

London 1997, cat. 32

Arita 2000, p.87, cat. 163

Jörg 2003/1, cat. 195 

Rijksmuseum, Amsterdam, the Netherlands, inv.nr. BK-NM-1010

Judith's garden (website) judithsgarden.eu

 

Price: Sold.

 

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